Avoiding stereotypes and offensive racial depictions has
been a bumpy road for anyone in the visual arts, and looking at older work its
even tougher to avoid as tolerance and acceptance levels changed over the
ages. American Born Chinese is an interesting examination of the “coolie”
stereotype unfortunately spawned in the U.S. during the 19th century,
as well as the kinds of issues one might face being a minority (the focus in
this instance is on ethnicity, but definitely applicable to any minority role).
The format itself is interesting in that the graphic
novel is told in three parts, each seemingly standing on their own with little
relation to one another; however, as the work goes on, they suddenly begin
intertwining more, until the climax when each individual story suddenly smashes
into one another (quite brilliantly).
While at first I disliked the almost non-sequitur feel, jumping from one
story to another, as the three stories started correlating more I actually
started to enjoy the story-hopping.
Those who prefer a lengthier story format might find it a little
jarring, but it’s fairly easy to get used to.
Yang’s examination of the coolie stereotype, alongside a
second-generation immigrant in a modern setting, makes for an interesting
juxtaposition as the latter is forced to deal with the antics of the
other. Jin/Danny’s eventual acceptance
of his heritage, and consequentially how he manages to change his personal
views of his self-image, brought a bit of a tear to my eye due to the struggles
I’ve seen friends deal with when it comes to self acceptance; instead of
ethnicity, though, it’s been about sexuality, and attempting to reconcile their
personal preferences with themselves as well as deal with potential backlash of
being open with their preferences to their parents and family.
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